Book Review: Wild by Cheryl Strayed

Redefining what it means to be strong mentally and physically in the face of loss

A few weeks ago, I was very pleased to find a book had magically downloaded on my Kindle.  I forgot I’d preordered it months ago after reading Cheryl Strayed’s essay, “The Love of My Life.”  After her mother died suddenly when Strayed was only twenty-two, she embarked on a series of affairs that eventually dissolved her young marriage.  She struggles with her grief and the idea that our society doesn’t embrace the grieving process.  At the end of the essay, she is divorced, still heartbroken, and about to leave for a summer-long backpacking trip along the Pacific Crest Trail.  That’s where Wild picks up.

Because I loved her essay, it came as no surprise that I loved her memoir.  It is painfully honest, funny, and raw in most instances.  Just like in her essay, Strayed tackles a variety of uncomfortable subjects (death, sex, failed relationships) with a self-awareness that’s often hard to find in memoirs these days.  Her bravery is apparent in every sentence of this piece, but her vulnerability comes across as well.  “Fear, to a great extent,” she says, “is born of a story we tell ourselves, and so I chose to tell myself a different story from the one women are told.  I decided I was safe” (51).  Her story spills over with strength that can provide comfort and inspiration to people from all walks of life—especially those dealing with loss.

“I chose to tell myself a different story from the one women are told.”

As I mentioned in my previous piece on Strayed’s essay, her ideas on grief are forward-thinking and complex.  The voice in her work is strikingly beautiful but also simple at times, conveying a kind of removed confidence.  As she says about her mother, “It was only after her death that I realized who she was: the apparently magical force at the center of our family who’d kept us all invisibly spinning in the powerful orbit around her” (34).  After she loses her mother, she essentially loses her family as well.

Thousand Island Lake (2997m) and Banner Peak (...

Thousand Island Lake on PCT (Photo credit: Wikipedia)

Through her trip into the wilderness, Strayed has the distance to reflect on who her mother was as an individual as opposed to who her mother was only in relation to herself.  This allows her to appreciate her mother but also to accept her as a flawed human being, which consequently allows her to move on in a healthy way.  “Saying Bobbi instead of Mom felt like a revelation,” she says, “like it was the first time that I truly understood that she was my mother, but also more.  When she’d died, I’d lost that too—the Bobbi she’d been, the woman who was separate from who she was to me” (269).  In this way, she gives herself freedom to grieve but also the freedom to let go of the one person she held most dear.

“It was the first time that I truly understood that she was my mother, but also more.”

Alone and facing grueling hikes on a daily basis, Strayed succumbs to her most basic, human needs.  Physically drained at the end of each day, she forgets her personal problems, instead focusing on ones necessary for survival.  Reflecting on this, she says, “I’d thought I’d weep tears of cathartic sorrow and restorative joy each day of my journey.  Instead, I only moaned, and not because my heart ached.  It was because my feet did and my back did and so did the still-open wounds all around my hips” (84).  While we might not all go on thousand-mile hiking trips to sort out our emotional pain, this insight applies on more levels than one.  When trying to solve those big life questions, our seemingly small needs tend to fall to the wayside.  Are we giving our bodies all of the nutrients it needs?  Are we remembering to drink water?  Are we getting enough exercise?  Enough rest?  From this highly personalized memoir, I think we can all learn something about what it means to grieve and how to take care of ourselves in the process.

To hear an excerpt from her book, go here: Video

For more information and new releases from Cheryl Strayed, visit: http://www.cherylstrayed.com/

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“Queen of Disco” Donna Summer is Dead

A generation that “loves to love you baby” bids her farewell
Love to Love You Baby (song)

American singer and songwriter Donna Summer, a.k.a. LaDonna Adrian Gaines, died today in Florida. The cause of death was cancer; she had been battling both lung and breast cancer. There has been speculation that particles from the 9/11 attacks were the cause of her cancer. Summer was deeply affected by the attacks, such that she went into a depression following the tragedy.

In her career, Donna Summers crossed many different music genres, but it was disco that put her most famously on the map. Donna, along with Gloria Gaynor and the Bee Gees, was perhaps one of the top 3 recording artists who set disco in motion back in the early 1970s. Donna Summer’s famous “Love to Love you Baby,” regarded as a disco epic, was one of the first songs to catapult disco into the mainstream. Today, we remember disco as a “Me generation” form of expression, where glamorous clubs with mirrored disco balls were the place to strut and dance in sparkly silver and gold clothes. In its most basic form, disco was hours on end of dancing many nights a week. Soul Train, a weekly-aired morning dance show, further helped popularize the phenomenon, and Saturday Night Fever firmly established disco’s place in history. At its dizzying peak was the success of the infamous Studio 54, where it was an art just to get in the door, worthwhile for those who wanted to hang with the likes of Andy Warhol and Bianca Jagger.

Dancing under Twilo's disco ball, the largest ...

Donna Summer was the first gay disco icon, earning the title “the queen of disco.” But in the 1980s, she allegedly made a remark that “AIDS was God’s punishment to homosexuals” which created an outrage in the gay community. In he turbulent personal life, Donna Summer had many husbands, children, battled depression and anxiety attacks and made a number of attempted suicides. She struggled with fame and with lofty titles like “the first lady of love.” Yet she will always be remembered as a music icon and five-time Grammy winner.

Donna Summer passed today with her family at her side. She was 63.

Watch Donna Summer on YouTube.

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Slowing Down to Reflect

The importance of meditating on life during the later years

This is the story of Mary Lynne, as told by Kelly Larsen

My mother was 94 when she had a stroke. Prior to that her life was full: she had something planned daily, she walked fast; she was a busy bee, full of energy. She cooked for herself and lived alone. We were trying to find places in California for an older adult for her. We ended up choosing Laguna Woods, formerly called Leisure World. There’s about 30,000 people in this community. It’s like a little town. But she was a busy woman. In September she had a little car accident. I don’t know what happened, but the guy she collided with, his headlights broke. They looked like daisies. I think she had a small stroke, but she was able to drive home. My brother called to take care of a few things, but she was alright. She came up for Thanksgiving in November. She was always flying up and back and forth. She had a bold life. For 95 years she was so lucky. But after a week and a half or two weeks, she went back, and had a stroke. They had a system where she lived where the woman below would call each night to check on her and make sure she was alright.

One morning, my brother asked, “Is she there with you?” and I said no. We went to check on her, at around 5:30 or 6. She was lying on the floor, so we rushed her to the hospital. She lived another 3 or 4 years. She lived in a new place, an assisted living facility, for 90 days. And we went to see her often. We found a place for her where they had 5 or 6 people in a home. The woman Gloria, who took care of my mother the entire time, became so close to her that she said, “I loved your mother so much.” I would come in, and we’d be talking and watching TV, and it was hard to watch her go down. But I think she managed to stay alive to see her great grandson, whom she saw three times. My daughter Aubrey lived out in Brooklyn, but Mother lived long enough to know that Jordan married Aubrey. Her heart was so good, her mind was so good, until maybe the last 4 months. She wasn’t remembering as well, but after a while it didn’t bother her so much. After a while, with dementia from the stroke, she would say things like, “I’ll tell you tomorrow,” but I wouldn’t ask because I knew she wouldn’t remember. But she was a dear woman and she got along beautifully with the others in the home, and it was a slowed-down pace for her. She didn’t take time for reflection before, but now she was. She was given the gift of slowing down and reflecting on her life and death.

She was a nice woman. She did china painting, crocheting and knitting. I bought her yarn and brought needles, because she said, “I’ve gotta do a blanket.” But her hands weren’t able to do it since they were weak from the stroke. She played bridge though, and I think that helped keep her mind sharp. She was active. She had something on her calendar daily. She entertained, she loved to bake. And my brother hadn’t been painting for years, but he started again for my mother. He made a painting that has everyone’s names in it, everyone she’s related to. It’s got lots of strings and yarns, lots of texture like that. My sister-in-law in Orange County lived about a mile away from her in the facility for elder care; they were really close by, and they would get together very often, so she was very close with my brother’s kids. Her life before was extremely active, and her life after was more meditative, but no less fulfilling and meaningful to her, I think. It was a gift to have such a wonderful life and be physically able to do all that she could.

People always admired her. She didn’t have any vices, no drugs or alcohol, and I think that helped. She was 69 when my dad died. She never remarried, and she got along just fine by herself. She wasn’t at a loss for companions and friends. She was in a china painting class, and when they would have to go and put the things in the fire, she would go over and put them in. It gave her a reason to wake up in the morning. In hospice they had a chaplain there every week, and she had more visitors as a result. As you get older, the visits drop off, because friends are older, etc. Your core group is not able to tolerate it, often because it brings up their own mortality, and they may be in denial. I would sit there for days with Mother. We would come and bring her and the others around her chocolate. It was the remnants of the stroke that finally caused her death, but she died peacefully in her sleep. Sometimes the hardest part is the aftermath. While you’re grieving you have to sort out family issues and long-lost family hurts. All of that is just dumped on the family. At least with Mother, we had a lot of that sorted out earlier on. And as you get older, you get more accepting. In your 20s, you’re immortal, but you recognize your own mortality as you get older, and I think this is important.

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Taking Control of the End-of-Life

Advance care directives help you express your wishes now so they can be honored when the time comes
A "refusal of treatment" form from o...

(Photo credit: Wikipedia, Creative Commons)

In her latest release Never Say Die: The Myth and Marketing of the New Old Age, Susan Jacoby offers a critique of the “new old age” — the belief that the baby boom generation just beginning to turn 65 can look forward to an old age unmarred by physical or mental deterioration, financial woes, or emotional struggles. Jacoby attacks the treatment of aging as an avoidable “disease” in our culture, and the widely-held belief (or hope) in America that the new generations can stay forever young with the right lifestyle.

In a recent Op Ed for the New York Times, Jacoby offered the story of her mother’s final years, illustrating how her mother — with proper foresight and understanding — was able to take control of her end-of-life experience through explicit advance directives.

Both the book and the article by Jacoby point to the desperate need in our culture to accept aging and the end-of-life as part of our natural lives, and to prepare for them just as we would any other part of life.

By creating a clear advance directive that explains what you expect for end-of-life care once you are too sick or injured to express your wishes, you are able to take control of that part of your life. With an overwhelming number of Americans preferring to die in the comfort of their homes and a disappointing minority putting those wishes into writing, this discussion couldn’t be more important.

SevenPonds’ simple and comprehensive guide to creating advance care directives helps you understand your options for end-of-life care and how to express your wishes now, so that they’re honored when the time comes.

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“Fear not death for the sooner we die, the longer we shall be immortal.”

-Benjamin Franklin

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From a Mother’s Point of View

Robert Burns's poem conveys a mother's perspective on the loss of her son
a bird nest Français : un nid d'oiseau

(Photo credit: Wikipedia)

Yesterday was Mother’s Day, and whether you were fortunate enough to get to spend time with yours or were perhaps laying flowers on her grave, I hope you took the time to appreciate her somehow. While SevenPonds paid tribute to departed mothers on the holiday, today I’m looking at a poem from a mother’s point of view. As its name implies, “A Mother’s Lament,” by Robert Burns, expresses the sadness of a mother who has just lost her son:

Fate gave the word, the arrow sped,

And pierc’d my darling’s heart;

And with him all the joys are fled

Life can to me impart.

By cruel hands the sapling drops,

In dust dishonour’d laid;

So fell the pride of all my hopes,

My age’s future shade.

The mother-linnet in the brake

Bewails her ravish’d young;

So I, for my lost darling’s sake,

Lament the live-day long.

Death, oft I’ve feared thy fatal blow.

Now, fond, I bare my breast;

O, do thou kindly lay me low

With him I love, at rest!

Robert Burns

The mother acknowledges that death is inevitable by personifying fate (“Fate gave the word…”  [1]), but her sorrow is emphasized by her repeatedly referring to her son as “my darling.” The boy’s mother feels that all happiness has gone out of the world, declaring, “all the joys are fled” (3). In addition to personification, the poem makes use of metaphors, with the next stanza comparing her young son to a “sapling” (5), a young tree. “Cruel” (5) people have cut the tree down, just as fate has taken her son, and the “future shade” (8) that a full-grown tree would provide is taken away from this mother; the love and support her son would have been able to give to her is no longer a possibility.

The next stanza’s metaphor is that of a mother bird, the “mother-linnet” [9], grieving in the wild over the loss of her baby, her “ravish’d young” (10). Like this bird, the mother bemoans the death of her son without pause (“the live-day long” [12]).

In the last stanza, the mother reveals how this incident has changed her feelings about death. She used to fear the “fatal blow” (13), but now, “fond” (14), or willing to die, she desires death in order to be with her son again. Death would be “kind[]” (15) in taking her. Rather than viewing this final stage as a miserable experience, she sees it as “rest” (16). Thus, as tragic as this poem is, it recognizes that death unites us all, and in fact reunites us with those that have gone before us.

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Memorial Poems for Mother’s Day

Words to celebrate Mom even after she's gone

Cassatt Mary, Mother's Day, Poetry, loss

Your Mother is Always With You

- Anonymous

Your mother is always with you…
She’s the whisper of the leaves
as you walk down the street.
She’s the smell of bleach in
your freshly laundered socks.
She’s the cool hand on your
brow when you’re not well.
Your mother lives inside
your laughter. She’s crystallized
in every tear drop…
She’s the place you came from,
your first home.. She’s the map you
follow with every step that you take.
She’s your first love and your first heart
break….and nothing on earth can separate you.
Not time, Not space…
Not even death….
will ever separate you
from your mother….
You carry her inside of you….

Mother and Child, Mary Cassatt, Mother's Day, Loss, Memorial

Memories and Mother

by Mary R. Hurley

When Mother came to our room
To tuck us in at night,
Her face would look so gentle
In the soft, bedside light.
And though we may not always
Have behaved our best that day,
She’d let us know she loved us
In a very special way:
An extra fold to the coverlet,
A little pat, a hug,
And we’d settle down to dreamland
Feeling safe and snug.
And of all the childhood memories
That there have ever been,
We love best to recall the times
When Mother tucked us in.

Images: Mary Cassatt, The Bath (top, The Young Mother (bottom)
(Photo credit: Wikipedia)
Text Source: Mother’s Day Central

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In Honor of All of Our Mothers

On this special Mother's Day
Peony, holding a peony, mother's day, mother's day, mother's day, mother's day

A peony from my mother's garden in Michigan, up the hill from Seven Ponds lakes

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An Interview with Patricia Murphy

How the loss of two mothers inspired Josie’s Place, a center that helps grieving children, teens, and families

Patricia Murphy has years of experience in working with bereaved children and teens. The co-founder and director of Josie’s Place envisioned her organization as a safe space for kids and families to meet and work through their grief, and Josie’s Place regularly offers children and parent support groups in the Sunset District of San Francisco. SevenPonds sat down to talk to Patricia about Josie’s Place, her own experience with childhood grief, and what Mother’s Day might mean to a grieving child

josie's place, children, grief, support groups

Patricia at a Josie's Place recent fundraising event. Photo by Bowerbird Photography, www.bowerbirdphotography.com

Liz: Tell us about Josie’s Place.
Patricia: Josie’s Place is a small nonprofit that provides grief support to children, teens, and their caregivers. We have evening groups for children between the ages of 5 and 8, and a group for children between the ages of 9 and 13. We’re going to be restarting our teen group hopefully in the next month, which is for high school age youth. In our evening groups, our parents and caregivers meet in separate groups at the same time, so that the whole family receives support. We also lead school-based groups and provide community education. I have trained first responders about how children and teens grieve differently than adults; I’ve worked with school counselors and done training with them; I’ve done workshops in schools for students and parents.

Liz: How did the idea for Josie’s Place come about?
Patricia: I had volunteered for over seven years at Kara in Palo Alto. Kara has a youth and family program based on the same model, which was created by the Dougy Center in Portland, Oregon. I was personally drawn to this work because I was bereaved as a child. My mother died when I was four. And when I was 24, my younger half-siblings lost their mom, my stepmom, who had raised me. Both my mom and stepmom were named Josephine, so Josie’s Place was named in honor of them. I know what it is like to experience such losses without external support, and I wanted to provide an opportunity for families to receive support at the time of the loss.

Liz: How is children’s grief unique from that of adults? Do they deal with it differently?
Patricia: First of all, children don’t have the life experience they need to really understand the impact of their loss. They don’t necessarily have the words in their vocabulary to express it. They also have these natural defenses that keep them from going into emotional overwhelm: they grieve in short bursts, and then they run off to play. People will see them and think, they look like they’re doing just fine; but in fact, they’re grieving just like their parents are. The younger the child, the more this is true.

Parents and children at Josie's Place event. Photo by Bowerbird Photography, www.bowerbirdphotography.com

Children’s grief is expressed in their behavior. You’ll see it come out in their play. For instance, the other night we had our anniversary celebration, and there was a little boy whose dad died in a car accident. The boy is five years old, in kindergarten. One of our facilitators was there, hanging out with him—they were playing, and things were crashing and exploding, crashing and exploding. He was doing his grief work right then and there. People may not recognize that that kind of play is how he is processing his grief.

For kids, grief is like “emotion in motion.” They sometimes are misdiagnosed as hyperactive because their grief and stress is centered in their bodies. They might just be acting out more, more anxious, more hyperactive, because they have all this emotional stress they’re carrying. They can also be perceived as having behavioral problems, when in fact it is just expressing their distress.

The other thing that’s really unique about children is that they are known as “delayed mourners” because they can only handle being with their grief for short periods of time, and then their natural defenses kick in, so it takes them longer to work through it. They re-grieve at each new developmental stage. For instance, this five-year-old boy, when he’s seven or eight he’s going to be more cognitively developed and able to take this info in in a new and different way. It’s possible he’ll really start his mourning then. Then, when he’s 10, 11, 12, he’ll take it in in a different way again. Each time children re-grieve it can be just as or more intense as when it first happened. It will become a part of their identification for the rest of their lives. At each new milestone—a graduation, winning a sports tournament, a significant birthday, getting married, having their first child—all those milestones we tend to celebrate with our loved ones, there is an important person missing. It’s not that it necessarily interferes with these events, but it’s always there.

support group, grief, children, loss, teens

A Josie's Place group session

Liz: Describe how a typical kids’ support group session might go. What topics do you discuss? What activities do you engage in?
Patricia: The older kids sit in a circle with stuffed animals. We light candles to create a safe and sacred space, the purpose being to remind them that everything we do, we want to keep it as safe as possible for them. Children tend to feel less safe if they’ve lost a parent or someone significant. They each light a candle in memory of the person or persons who died. Then we have a talking stick; they pass it around the circle and say who died, how they died, the name of the person who died. That’s our opening ritual, to remind us that we’re all there because we lost someone special in our lives.

Our facilitators take turns coming up with a topic, and leading the group. We’ll discuss topics like “Emotions of Grief”: fear and anxiety tend to be primary emotions; anger often comes up around grief and loss; regret—we address different kinds of emotions of grief.

We also feel it’s really important to preserve memories. We’ll create memory boxes, or have nights where they bring in a picture or memorabilia and tell stories about that person and recall a favorite memory.

We talk about how important it is to have support. We ask, what is their internal support? What are the things they can do, the places they can go that help them when they’re having a hard day? Who are their resources, their friends, family, teachers who support them? We have them make a Support Chain, where they write down people, places, things that give them solace when they’re grieving, then they loop them together and put it around their neck.

We do things that build on resiliency. Sometimes kids will just spend time telling jokes, or talking about things that build their self-esteem. When children are bereaved, they often lose self-esteem. They don’t feel like themselves. So we ask, what are the accomplishments you’re proud of?

Outdoor activities. Photo by Bowerbird Photography, www.bowerbirdphotography.com

After the activities, which also involve discussion, different kinds of creative activities, art, drama, play, then they have free time they can use any way they want. They can talk among themselves, or go out and play if the weather’s good. Then they come back and we have a closing ritual. We ask a grounding question to bring them back to the present. Then we do a Love Squeeze: one person starts it, it goes around the circle until it comes back to them, and it reminds us we’re all together and there to support each other.

After groups have ended, the parents come in. We celebrate birthdays if there are any. We make announcements, if there’s important things the kids want to talk about, things to celebrate. Then we also do a Love Squeeze with the entire circle, with the parents and all the kids. This is to bring closure for the entire group.

For the younger kids, we work with the same kinds of topics as the older kids, just targeted at their age group. We do different stations where they can draw if they want, or make a sand tray. It tends to be less verbal and more interactive, through creative expression.

We are restarting the teen group in the next month. Teens often times come up with their own topics and provide support to each other. For teens, their life is under construction anyway, aside from grief. You overlay grief on that, and it makes life in general more complicated. Teens will cover topics besides grief: peer relationships, relationships, normal stresses and strains of being a teen and navigating life, and they touch on grief too.

Liz: How about the parents’ meetings—how do they differ?
Patricia: In the parent group, there is a lot of discussion. It’s an opportunity to give them education on children and grief and what’s important for a grieving child. Then they provide general compassion and support for each other. They’re with a group of people who not just understand they are going through a difficult time but know how they feel. Their losses might be different, but their common ground is grief. Right now we have four moms in the group who have lost their high school sweethearts—those four women really get each other.

grief, support, loss, children

Patricia with two Josie's Place kids. Photo by Bowerbird Photography, www.bowerbirdphotography.com

Liz: Mother’s Day is this weekend. Do you find that holidays such as this are especially difficult for children and teens who have lost a parent?
Patricia: Yes. Any main holiday—birthdays of the person who died, their own birthdays, anniversaries of the death—all of those times are difficult. On Mother’s Day, if the child has lost a mother—well, if a schoolteacher is savvy, they won’t say, “Write a letter to your mother,” they’ll say, “Write a letter to someone important in your life,” or a letter you’d like to send to your mother if you could. If they have a father who died, on Mother’s Day, it’s a main holiday and the father’s not there to support them. There’s going to be sadness in the family, and children are really sensitive to what’s going on. They know they’re dependent on their parents, and they can be anxious or concerned if they see their parents grieving. These holidays are tender times for them, so we do encourage them to remember their mothers on Mother’s Day. We ask, “Is there an old ritual you want to continue at home on Mother’s Day? Or a new ritual, now that Mom or Dad isn’t there?”

Liz: Finally, what words of advice can you give our SevenPonds readers who may themselves be dealing with loss or may be helping a child to deal with loss?

Patricia: The most important thing is self-care and to understand that each of us grieves in our own unique way. There is no right or wrong way to grieve, so remember not to be self-judgmental about what comes up for you when you are grieving. Get out and get exercise, do things that are nurturing to you, and be aware that it’s still okay to be involved in activities if you’re up for it. Some people might feel guilty that somehow they’re not honoring their loved one when they are engaging in life-giving, life-enhancing activities, and yet we can carry both of these feelings; we can carry the grief and honoring of our loved one and still be engaged in life.

In terms of working with grieving children, it’s always important to tell them the truth in age-appropriate ways, about the person who died and the nature and cause of their death. It’s important to listen, not to push them to talk, but to let them know you’re available anytime they need you. Be aware of any behavioral changes that might be out of the norm, which might signal the children need additional support. And set the same behavior standards: don’t let them get away with stuff just because they’re grieving, but do it with compassion and flexibility. And love them. Let them know they’re loved, and be as patient as you can with them.

Liz: Thanks so much for speaking with us, Patricia!

To learn more about Josie’s Place, or to find out how you can offer your support, visit the website at www.josiesplace.org.

Read related past posts on SevenPonds:

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Book Review: Die$mart, by Kathy Lane and Christine Hughes

11 common mistakes people make in after-death planning, and what you can do to avoid them

Kathy Lane, book, guide, end of life, planningFor those who have never considered all of the legal and financial problems that can plague you or your family after a death– you might want to take a look at Die$mart: 11 Mistakes That Cost Your Family Money When You Die, the 2009 book by Kathy Lane and Christine Hughes. This short 225-page guide walks you through some very important considerations and claims to help the reader avoid “dying dumb.”

So what is “dying smart,” as opposed to “dying dumb”? Basically, “dying smart” is accepting that you are going to die, and preparing for it: from making a living trust to creating advance care directives to considering what will happen to your minor children. These are all actions that will lessen the burden, legal, financial, and otherwise, on your family. Unlike 100 years ago, when dying at home from acute illness or accident was common, most people today die in the hospital. 80% of us will pass away from a prolonged illness like cancer, Alzheimer’s, or a respiratory failure. This “new” way of dying has brought with it a host of new issues that most people have never even considered.

Lane and Hughes take what could be an overwhelming subject and boil it down to the nitty-gritty– a nice, concise walk-through. Lists of “Words to Know” at the beginning of each chapter helps the reader navigate the legal jargon. Icons indicate where state laws may vary, and direct the reader to the very helpful Die$mart website. ”Family Stories” in each chapter help put human names and faces to otherwise complicated legal situations. We meet people like Marsha, whose incapacitated husband Roger never named her his durable power of attorney, and as such forced her to pay exorbitant legal fees to engage in transactions in his name. We meet Josephine, whose stepchildren will fail to inherit any of her late husband’s assets if she dies without naming them in her own will.

The book’s greatest success is simply the fact that it prompts the reader to start thinking about after-death issues. You don’t necessarily have to follow every recommendation. But too many of us ignore the glaring reality that we will die, and are not cognizant of the myriad issues that can spring up for our loved ones when we do. Simple things like making a will, making a living trust, naming a health care power of attorney: these are not a waste of time, rather these are vital, practical steps in planning for your own death– and life!– and the lives of the people you love.

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Weddings and Funerals

A comedic Internet meme about death

comedy, funny, wedding, funeral, children, child, kids

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Hairstylist Vidal Sassoon Dies at 84

The man who revolutionized haircuts and established an international chain of Vidal Sassoon Salons
vidal sassoon, vidal sassoon, vidal sassoon haircut, vidal sassoon salon

Legendary hairstylist Vidal Sassoon died yesterday in L.A. of natural causes, with his family members at his side. In his illustrious lifetime he had four wives and four children and achieved celebrity status. Sassoon was the first to create a movement towards clean, sculptured, sophististicated haircuts. Vidal’s “Sassoon haircuts” pushed the bar towards hair as an art form while at the same time putting hairstylists on the celebrity map, setting the stage for Barbara Streisand hooking up with hair stylist/movie director Jon Peters and hit films like Shampoo. Most significantly, Vidal Sassoon unleashed a new willingness to appreciate and pay the high price for a good haircut. This includes myself: my hairstylist Ron Lee is a former highly experienced Vidal Sassoon hairstylist.

“If I was going to be in hairdressing, I wanted to change things. I wanted to eliminate the superfluous and get down to the basic angles of cut and shape.”

Remember when women went from the tortured hairdos of the ’50s to the straight-haired hippy look of the ’60s? It was Vidal Sassoon, who opened his first Vidal Sassoon salon in 1954, that changed our relationship with hair and created the no-nonsense, elegant look. By the ’70s, his salons were incredibly popular, his products were featured in fashion magazines, and women were clamoring for his cuts.

My mom, a big Sassoon fan, taught me the value of a good haircut. Although we lived in Michigan, she would book us at a Vidal Sassoon salon anytime we traveled to a big city, be it NYC, Chicago, Toronto, or Miami. I was a lucky child to have gotten many Sassoon cuts at so young an age. Before Vidal Sassoon, out-of-town haircuts were not common. Yet in the 1960s, before Vidal opened any of his salons in the U.S., women were known to fly all the way to London to get one of his cuts. Vidal may be gone, but his influence on our relationship with our hair will remain for generations to come.

Mother's day, mother's day, mother's day, mother's day,mother's day

My mother and I with our classic Sassoon haircuts, the "short bob."

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The Daughter Who Started It All

A look at the life of Anna Jarvis and her conception of Mother’s Day

Anna Jarvis

Every year, I find myself scrambling to finish final papers, study for exams, finish out the school year, and most importantly find something to give my mother.  I’ll love my mother more than she’ll ever know, but every year around the second week of May, I end up presenting her with the same corny card or box of chocolates.  While writing my senior thesis and dreading this year will end up the same, I thought, has it always been this way?  As we approach Mother’s Day 2012, I figured we could take a look into the history that made the holiday what it is now.

I was surprised to find that unlike the long history of motherhood, their commemorative day isn’t all that old.  A few women’s peace groups bumped around ideas in the late nineteenth century when our country was wrecked by war and overwhelmed with loss.  Their efforts made an impact on a local level but never got national recognition.  Ann Jarvis wholeheartedly endorsed a commemorative day for mothers in 1868, but the idea never took off by the time she reached her death in 1905.

“I was surprised to find that unlike the long history of motherhood, their commemorative day isn’t all that old.”

It would take Anna Marie Jarvis, Ann Jarvis’ daughter, to promote the holiday as we know it today.  Shortly following her mother’s death, Jarvis made a promise to herself that she would establish a day to honor mothers.  Initially, the day had more formal aspects that sought to commemorate mothers who had passed.  In 1907, Jarvis passed out five hundred white carnations—her mother’s favorite flower—at her local church in West Virginia.  After that small ceremony, a Mother’s Day campaign was formed.

“Shortly following her mother’s death, Jarvis made a promise to herself that she would establish a day to honor mothers.”

By 1908, the increasing popularity of Mother’s Day ceremonies prompted the Young Men’s Christian Association to present a bill to the U.S. Senate to make the holiday official.  Although it didn’t pass, by 1909, forty-six states (as well as parts of Mexico and Canada) were celebrating Mother’s Day in some form.  Soon after, Anna Jarvis quit her job in order to devote herself fully to the cause.  In 1912, West Virginia became the first state to announce it would officially adopt the holiday, which prompted Woodrow Wilson to sign it into national observance in 1914.  From then on, the second Sunday of May would be recognized as Mother’s Day.

While Anna Jarvis succeeded in making Mother’s Day a national holiday, she was not altogether pleased with the outcome.  By 1920, it was already highly commercialized.  This troubled Jarvis to the point that she disrupted several Mother’s Day events that sold flowers.  As she said herself, “A printed card means nothing except that you are too lazy to write to the woman who has done more for you than anyone in the world. And candy! You take a box to Mother—and then eat most of it yourself. A pretty sentiment.”

“What started as a memorial for one mother morphed into a celebration of every mother.”

Anna Jarvis’ life story now exists as a series of ironies.  She devoted her life to establishing Mother’s Day only to rail against it near the end of her life.  She is considered the mother of Mother’s Day and yet she had no children herself.  When she became blind and sickly in her old age, The Florist’s Exchange anonymously paid for her care.

What started as a memorial for one mother morphed into a celebration of every mother.  Even though Jarvis didn’t fully obtain what she envisioned, the fact still stands that we have an organized day on which mothers are recognized, whether they are still in our lives or have passed.  If we can learn anything from this brief history of Mother’s Day, perhaps it would be to continue the celebration into every day.  I think Anna Jarvis would agree that it doesn’t take a card to tell our mothers we love them.

Sources:

http://www.mothersdaycentral.com/about-mothersday/history/

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Compassion & Choices President to Speak in San Francisco

Barbara Coombs Lee will speak at the organization's annual public meeting on May 12th.
Barbara Coombs Lee, Compassion and Choices, End of Life, Aid-in-dying, California

Barbara Coombs Lee (Photo credit: Wikipedia)

Compassion & Choices Northern California is hosting its annual public meeting on Saturday, May 12 from 2 p.m. to 4 p.m. in San Francisco. Barbara Coombs Lee, president of Compassion & Choices, will be the keynote speaker and will discuss “Liberty on the March: News from the Campaign to Expand End-of-Life Choice.”

Barbara Coombs Lee is an expert in the field of end-of-life choice and a very engaging speaker. She practiced as a nurse and physician assistant for 25 years before beginning a career in law and health policy. Barbara has been president of Compassion & Choices since 1996. She oversees advocacy, development, and legislative and client support.

You’ll also hear from Dee Sunderland, whose husband, Bob, was a client in the End-of-Life Consultation Program, which provided support and comfort in her husband’s search for a peaceful, humane death. You’ll get a chance to meet the Compassion & Choices Northern California board of directors, enjoy light refreshments and mingle with other supporters of the aid-in-dying movement.

The meeting will be at Saint Aidan’s Episcopal Church, 101 Gold Mine Drive, in San Francisco. The event is free and wheelchair accessible. There is ample street parking, and public transportation is nearby. Please RSVP athttp://compassionandchoicesnorcal.eventbrite.com or (866) 825-8967 so we have an estimated number of attendees.

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Maurice Sendak Dies at 83

We pay tribute to the writer and illustrator
Cover of "Where the Wild Things Are"

Cover of Where the Wild Things Are

I sadly report that we lost Maurice Sendak this morning, who died of a stroke in Danbury, Connecticut. Somewhere, I have a well-worn copy of “Where the Wild Things Are” buried in a pile of books. It was a radical book in its early days. Maurice Sendak changed our concept of a children’s book, creatively writing and illustrating monsters in a friendly and imaginative way. He was the first to mine this territory and reposition monsters in our childish minds as warm, fuzzy and memorable. Without him we would not have had Steven Spielberg’s E.T. or Pixar’s Monsters, Inc.

Who doesn’t love a friendly, cuddly monster? And who but Sendak could have redesigned them that way?

Until today, I was unaware that Maurice Sendak was gay, having lived with a partner, psychoanalyst Dr. Eugene Glynn, for 50 years. Maurice never told his parents because he simply wanted to make them happy. Thankfully, he was able to make generations of us happy with his books– they were truly for everyone.

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“Unable are the loved to die. For love is immortality.”

-Emily Dickinson

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Mothers of Invention

Reinventing funeral services

Mother’s Day arrives this week, and so I start it off with a post dedicated to our lovely mothers of invention.

I will look at three different experiences involving mothers that signify why our national relationship to traditional funeral practices is radically changing. The traditional funeral practice is going away due to its failure to offer peace of mind, instead bringing up painful memories. Mothers are our wonderful emotional caregivers, and by nature they seek to cushion our relationship with death, as best they can. I will begin with a story of my own mother’s reflection on a past funeral experience.

Česky: Madonna English: Madonna

Česky: Madonna English: Madonna (Photo credit: Wikipedia)

Years ago my uncle Dick was diagnosed with stage 4 cancer. My mom immediately flew to California to be at her sister’s side. Dick lived less than a week following his diagnosis. After he passed away my mom made the funeral arrangements for her sister. Although my aunt is agnostic, she requested that the funeral director say only the Lord’s Prayer because Dick had always liked to say it. My mom relayed these specific instructions to the funeral director; yet at the service, the funeral director proceeded to add his own share of embellished religious thoughts. My mom was very disturbed that he took this liberty and did not follow my aunt’s exact wishes. This stuck in my mind. I pondered why a funeral director would do this to a family – to not abide by their wishes in a time of such extreme difficulty. Additionally, why would the funeral director jeopardize his reputation and future business practice? By having taken such liberty, the funeral director impacted the memories of family members in an inappropriate way.

Next I will visit some celebrities who have spoken out on their funeral experiences. As many people may already be aware, Madonna lost her mother as a child. According to Wikipedia:

Her mother died of breast cancer at the age of 30 in 1963. Madonna later acknowledged that she had not grasped the concept of her mother dying. “There was so much left unsaid, so many untangled and unresolved emotions, of remorse, guilt, loss, anger, confusion … I saw my mother, looking very beautiful and lying as if she were asleep in an open casket. Then I noticed that my mother’s mouth looked funny. It took me some time to realize that it had been sewn up. In that awful moment, I began to understand what I had lost forever. The final image of my mother, at once peaceful yet grotesque, haunts me today also.”

Sadly, Madonna now lives with her final memories of her mother as “grotesque”. Last year, Angelina Jolie was interviewed on “60 Minutes” and gave her thoughts on her own personal funeral experience.

“It sounds like this very strange, eccentric, dark thing to do but in fact I lost my grandfather and was very upset with his funeral,” she told Bob Simon “How somebody passes and how family deals with this passing and what death is should be addressed in a different way.”

Angelina Jolie 2003

Angelina Jolie 2003 (Photo credit: Wikipedia)

Angelina Jolie is one of the most glamorous and sought after actresses and yet she expressed her interest in being in the funeral industry to change what we know as a “funeral.” Addressing the industry was her fall back plan, had she not become an actress.

These are only three stories of so many I’ve of heard from others. It’s why there’s an ongoing movement towards cremation and natural burial, away from the traditional service of the past. As mothers seek to have good death memories and we seek to have peaceful memories of our mothers, our mothers of invention are indeed reinventing the funeral service as we know it.

Do you have a story to tell?

  • Read a son’s story about losing his mother and how funeral practices impacted his memories.

Learn some of the ways we are creating new practices:

  • An interview with Joe Sehee, founder of the Green Burial Council, about natural or green burial.
  • How cremation in the U.S. has risen and most are scattering ashes.
  • How some are having a funeral in their home, called a home funeral.
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The Enviable State

Sara Teasdale's poem views life as lonelier than death

harry potter saying, harry potter sayingAs I was reading Sara Teasdale’s “Alone,” I was struck by how much it reminded me of a line from Harry Potter and the Deathly Hallows, which I wrote about in this post. In the book, Dumbledore tells Harry, “‘Do not pity the dead, Harry. Pity the living, and, above all, those who live without love’” (Rowling 722). This same message is echoed in the final lines of Teasdale’s piece:

I am alone, in spite of love,

In spite of all I take and give—

In spite of all your tenderness,

Sometimes I am not glad to live.

I am alone, as though I stood

On the highest peak of the tired gray world,

About me only swirling snow,

Above me, endless space unfurled;

With earth hidden and heaven hidden,

And only my own spirit’s pride

To keep me from the peace of those

Who are not lonely, having died.

In line with Dumbledore’s way of thinking, the narrator asserts that those who have died “are not lonely” (12), but rather, at “peace” (11) because they have died. By contrast, the poem’s narrator, who seemingly has everything, including “love” (1) and “tenderness” (3), is unhappy with her life. She, who is surrounded by people that she can interact with, is still capable of feeling “alone” (1). This is paradoxical, since one would assume death, a solitary state, would be viewed as much more lonely. And yet, the narrator feels, “Sometimes I am not glad to live” (4). Thus living is not always the more enviable state.

Sara Teasdale

At this point in her life, the narrator feels isolated, as if she is far away from everything and everybody: “About me only swirling snow,/Above me, endless space unfurled” (7-8). Her negative view of life shows through in her use of the phrase, “the tired gray world” (6). Rather than choosing some bright color to describe the world, the narrator calls it “gray,” which conveys her attitude that it is dull and unappealing.

The narrator considers suicide, but her “spirit’s pride” (10) prevents her from acting on this idea. Though this section of the last stanza is dark, it elucidates a unique look at death, one that does not view it as an intimidating unknown, but as something better than life. The narrator sees unity in death, and wishes she could emulate that feeling during life, something few people cogitate when thinking of death. All of us will experience this united state at some point, but until then, we must soldier on, even through the tough times.

For an earlier post on suicide in literature, click here.

For more on Sara Teasdale, check out this site.

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Beyond Goodbye – Coping After the Loss of a Loved One

A filmmaker and photographer offers a space for others to grieve and heal after his son's death.

In January 2011, Joshua Amos Harris Edmonds was killed in a road traffic accident in Vietnam. He was 22 and on a trip of a lifetime traveling across South East Asia.

His parents creatively creating Beyond Goodbye — a book, website, and film — as a place for family and friends to remember Josh, as well as a resource for others who are grieving a loss. Learn more about Beyond Goodbye here, and click the image below to watch the video.

Beyond Goodbye, Grief, Art, Video, Death, Loss of a loved oneFrom the filmmaker and father, Jimmy Edmonds:

”Part of our way of coming to terms with the death of our son, has been to talk and to share and to create a collective space in which Josh and his memory continue to resound – we, his family and his many friends all carry a little bit of him as we continue through life (see the viral candle lighting ritual at the end of the film), and I have learnt some BIG things from this.”

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Interview with Dr. Mary Alice O’Dowd

Integrating Psychosomatic Medicine with End-of-Life Care

psychosomatic medicine, psychosomatic medicine, psychosomatic medicine,psychosomatic medicineI had the pleasure of a brief Q&A with Dr. Mary Alice O’Dowd, Director of the Psychosomatic Medicine Consultation Service at Montefiore Medical Center in New York. Dr. O’Dowd is also Professor of Clinical Psychiatry at Albert Einstein College of Medicine, author or co-author of almost one hundred peer reviewed articles, chapters, editorials, abstracts and book reviews, among her many accolades.

Integrating psychological care with the medical care for those facing serious illness or end-of-life seems like an obvious necessity. But the nuances are great — a team of skilled and dedicated individuals has to come together to manage the right care for each patient. A lot of communication is required between patients, doctors, psychologists, and social workers to ensure that a quality of life for a patient in any condition.

I asked Dr. O’Dowd about how she works to achieve this balance through psychosomatic medicine.

Dana: How does your work in psychosomatic medicine interface the end-of-life?

Mary: For myself and my team in Psychosomatic Medicine, we are psychiatrists seeing patients in a medical setting, mostly hospitalized patients, but some outpatients.  Whether dealing with end of life issues or not, our goal is to take the time to sit down and try to get to know the patient as an individual, to understand the patient’s experience of his or her illness in the context of their life experience.

Dana: Can you give a basic overview of how Montefiore is incorporating psychological and spiritual healing into medical practice?

Mary: Often we are called in when there is conflict between the patient and the team about treatment options. Our job is to ask “Why?”  “What’s going on?”  “What happened?”

So often the conflict grows out of misunderstanding on both sides, so clarifying, reaching consensus can be so helpful to caregivers and patients alike.

Dana: How else can caregivers help patients facing serious illness?

Mary: I’d say another important area for caregivers  is always being aware of barriers to patient understanding, whether these be language, poor literacy skills, or cognitive impairments due to dementia or delirium.  Sometimes something as simple as the patient’s inability to draw a clock on the page of a chart, putting in the numbers and the hands, can bring home to the caregivers why the patient isn’t taking their medications or missing appointments — it’s because they can’t remember, they’ve lost the ability to tell time.

So, bottom line at any stage of illness is getting to know the patient, eliciting his or her agenda, identifying barrers to care, talking to people, marveling at the uniqueness of every person’s story — whatever the problem, that’s always part of the solution.

Dana: Finally, is there anything I haven’t mentioned that you’d like SevenPonds readers to know?

Mary: Montefiore also has a strong Palliative Care team for patients facing end-of-life and also an outreach program for caregivers.

Dana: Thank you so much for taking the time to share in the SevenPonds community!

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