Vadis Turner is a Brooklyn artist who creates mixed-media sculptures, paintings, and installations with a colorful and whimsical take on various cultural and personal issues. Her most recent installation, Burial Party, was included last April at the Brooklyn Artists Ball at the Brooklyn Museum.
According to the artist’s statement, her creation of Burial Party was inspired by an interest in “the aesthetic bridges between diverse rites of passage”. At significant turning points throughout our lives, we must simultaneously shed what we knew or what we were, and embody a new version of ourselves.
“A new identity is conceived. An old identity dies.”
Throughout life, we are regularly faced with these periods or moments of transition: coming of age, relationship commitments, career moves, raising children, loss, illness, end of life. For some of those moments, we tend as a culture to focus on the “new identity”. When we think of events like graduation, marriage, childbirth, and promotions, we celebrate the changes, welcome what we perceive as positive additions to our lives and our character. However, when we face events like the loss of a loved one or approaching our own death, we tend to mourn the loss of the “old identity”, recognizing that something of who we were before is lost.
I commend Turner for recognizing the complexity of these events that we often classify so simply. Burial Party acknowledges that with all of life’s events we experience both losses and gains. When facing death and grief throughout our lives, we must acknowledge that while we bid farewell to an identity we knew, we will simultaneously greet a new identity, and grow through our loss. Similarly, when we face life’s struggles like illness and aging, we can approach them with the understanding that while some of the abilities or characteristics that we hold central to our identities may fade, we will certainly move forward to conceive strong new identities.
For Burial Party, Turner pulled together elements of ceremony and celebration with the processes of decay. The installation features the vague form of a decaying figure covered in ribbons and balloons. The colors are bright, rather than the solemn, muted tones that often come to mind when thinking of loss. The pieces very simply display the competing ideas of celebration and mourning, and the statement made is very intriguing: these ideas, in reality, do co-exist. Celebration and loss must not be mutually exclusive.
VOYANCEWEB négatif procède à rien transfert des données à caractère ouvriers collectées sur tonalité Site, voisinage des endroit non-membres de l’Assemblage Européenne qui négatif présentent pas seul point de
protectorat équivalent à icelui en vigueur au sein de l’Montage.
Dans l’hypothèse, improbable, où rare tel transfert serait
nécessaire puis envisagé, VOYANCEWEB s’engagerait à signer préalablement bizarre convention environ l’entité de réception des données, aux termes de laquelle cette
dernière s’engagerait à offrir aux données bizarre protection conforme à la discipline 95/46/ÇA du 24 octobre 1995, transposée
en perpendiculaire français par la loi du 15 juillet
2004 alors à communiquer cette convention à la CNIL.
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So verrissen Gaming auch hingestellt wird, so ist psychologisch erwiesen worden, dass das Gaming, ein dem Alter des Gamers angemessenes Spiel vorausgesetzt, förderlich für den Geist des Spielers ist.
Beim Zocken lernt der Spieler mit Spaß und ohne den Druck Konsequenzen tragen zu müssen schneller als üblich Entscheidungen zu treffen und zwischen wichtig und
unwichtig zu unterscheiden. Viele Videospiele vermitteln darüber hinaus auch Grundkenntnisse über
Management und fördern logisches Denken. Auch die verpönten Multiplayer-Spiele können doch häufig den vorgeworfenen Effekt des Abdriftens in eine
falsche Realität} invertieren. Der Spielende kann mitunter so manchen Freaks
begegnen, allerdings findet man öfters in seinem Favoriten Gleichgesinnte.
Kurz und Knapp: das Spielen von Computerspielen ist hammer!
Ungeachtet des Spiels und der Plattform, Zocken ist Kultur.
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